With a chaotic 2018 final, you look back to 1968-9 for warning signs, to wit:
God, what a world it is! Strung up for saying a word out of turn! Slain for a sigh! Go on, attack anything you want! A bus, a train, a taxi-cab, a postal van, a victoria! A baby in a pram, if such is your fancy! A body in a coffin, if such is your fantasy! Nobody will stop you. Nobody will know. You can go barging through a hospital ward, lashing out at this man writhing in agony or firing point-blank at that man with chronic arthritis and no right arm. You can crucify as many phony Christs as you wish. And nobody will mind if you drown an alcoholic in alcohol, a pharmacist in formol, a motorcyclist in lubricating oil.
Boil infants in cauldrons, burn politicians to a crisp, throw solicitors to lions, spill Christian blood to its last drop, gas all shorthand typists, chop all pastrycooks into tiny bits, and circus clowns, call girls, choirboys, sailors, actors, aristocrats, farmhands, football hooligans and Boy Scouts.
You can loot shops or ravish shopgirls, maim or kill. Worst of all, nothing can stop you now from fabricating and propagating all sorts of vicious rumours. But stay on your guard, don’t trust anybody — and watch out for your back.
M Oulipo, aka. A Void
As in Paris, 1968, frustration is abundant, so hold on. Tightly.