silenc is a tangible visualization of an interpretation of silent letters within Danish, English and French.
Silent letters themselves aren’t (semantically) silent. They guide pronunciation in some instances (tin | tine – pin | pine), can signal meaning that context would disambiguate in others (night | knight), and are signs of the word’s history and derivation (ptomaine). But the visualization points up that even though we read silently, we use the sound of the words to guide meaning.
silenc is the kind of work currently going on in digital poetics (here, here, and here), experimenting with concepts such as, in this case, the distance between speaking and printing. Books don’t disappear, but print gets a good hard look. In the same stall as Humument, and Tree of Codes.
As for volum, I read this morning in The Guardian that January is ZTT’s 30th anniversary.
The blue spaceship in Basing Street is housed in the studios where, all those pre-punk years ago, Island Records first recorded Bob Marley and the Wailers. Island boss Chris Blackwell’s swinging 60s bachelor pad in the west wing is still there, unchanged except for the blue and white ZTT dots splattered on the walls. But then these are everywhere, even the loos.
Inside this gilded palace of din, the new home of the hits is expanding daily. Yet another studio is being constructed, yet more personnel being drafted in. Not that you’re in a pop factory: Trevor Horn vociferously denies that ZTT is any such thing.
Island Records (now ZTT) is over the bridge and just down the Westway from the pub I used to work at en retro diem, a pub that Trevor used to visit once in a while. I didn’t know then he was Trevor Horn. I admit, I didn’t know then who Trevor Horn was at all. Just one of the weekend punters who worked down the studio. Did some production. Played bass. Pint of lager in a sleever, right, Mick?
Turns out, I discovered five or six years later, he’s this guy:
Video Killed the Radio Star from 2004 Prince’s Trust concert
ZTT produced others: Frankie, Art of Noise, Propaganda – and Yes (Prog-Rock video warning) which is nothing to shrug at. So, on its 30th anniversary, ZTT is adding a new studio and looking for new projects.
But that’s not the point. The point is that 30 years marks a turning point, summed up by Video Killed the Radio Star where one medium was giving way to another, and the artists were guiding and negotiating the transition. Who knew? Video Killed the Radio Star was a one-off pop song, that was also the first video to be aired on MTV. MTV? That can’t last. Dead in a year. (Well, it took 20 years and YouTube to kill off MTV. But it’s dead now.) Trevor? Just a nice bloke who played bass one night in the pub with a skiffle group. Who knew?